Electronics : Texas Instruments TI-84 Plus Silver Edition Graphing Calculator (Pink)

Electronics : Texas Instruments TI-84 Plus Silver Edition Graphing Calculator (Pink)

Texas Instruments TI-84 Plus Silver Edition Graphing Calculator (Pink)

from: Texas Instruments



Texas Instruments TI-84 Plus Silver Edition Graphing Calculator (Pink)
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List Price: $169.99
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Average Rating:  out of 5 stars
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Binding: Electronics
Brand: Texas Instruments
Color: Pink
EAN: 0033317191178
Format: CD
Label: Texas Instruments
Manufacturer: Texas Instruments
Model: 84PLSE/CLM/ILI/E
Publisher: Texas Instruments
Studio: Texas Instruments
Variation Description: Pink



Features:
  • Advanced graphing calculator
  • 1.54 MB RAM, 480 KB flash ROM; 30 pre-loaded applications
  • Advanced statistics and financial features
  • Built-in USB port and I/O port; unit-to-unit link cable
  • Split screen displays graph and editor or graph and table







Editorial Review:

Item Description:
MODEL- TI84PLUSSLVRPINK VENDOR- TEXAS INSTRUMENTS FEATURES- TI84 Plus Graphics Calculator- Metallic Silver finish Includes TI Graph LINK for Windows and four AAA batteries. An enhanced version of the TI-83 Plus, the TI-84 Plus offers a built-in USB port, 3x the memory of the TI-83 Plus, many preloaded Apps, an improved display, and more! Because the TI-84 Plus is 100% keystroke-for-keystroke compatible with the TI-83 Plus, integrating it into your classroom will be easy! With the TI-84 Plus, all students can now share their work by connecting their TI-84 Plus to any TI presentation tools for the whole class to see, fostering a collaborative learning environment. Plus, a built-in USB port makes data transfer to your computer and between handhelds easier than ever. The TI-84 Plus handheld is fully loaded with convenient features and accessories, including a kickstand slide case, compatibility with TI presentation tools on every unit and more! * Electronically upgradeable graphing handheld allows you to have the most up-to-date functionality and software applications (Apps). * 2.5 times the processor speed of the TI-83 Plus. * 480 KB FLASH ROM memory for data archive and storage of Apps. * 24KB of available RAM memory. * USB port for computer connectivity, unit-to-unit communication with TI-84 Plus and TI-84 Plus Silver Edition graphing handhelds, and more. * I/O port for communication with other TI products. * Internal Clock with date and time display. * TI Connectivity Cable included. * TI Connectivity Cable and TI Connect software allow information to be transferred to and from a computer and printed or stored on disk. * Included Apps: Cabri Jr. CBL/CB

Amazon.com Item Description:
Building on the hugely popular TI-83 Plus, which is perhaps the best-selling calculator of all time, the TI-84 Plus pink edition is completely compatible with the TI-83 family. From that well-established platform, this new model adds more speed (a processor that's 2.5 times faster), an enhanced high-contrast display (eight lines by 16 characters), changeable faceplates (pink included), and a suite of 30 applications. And with nine times more memory than the TI-83 Plus (1.54 MB of RAM, 480 KB Flash ROM), there's plenty of room for even more applications and your own data storage.

Includes a USB Port and cable.
It also adds USB on-the-go technology (cable included) that can be used to share files with other calculators or to connect to PCs or optional presentation tools.

Comes with 30 pre-loaded applications and supports all TI-83 Apps.
Thirty applications are pre-loaded. Popular application titles include Cabri Jr., CBL/CBR, Conic Graphing, Inequality Graphing, Probability Simulations, Science Tools, StudyCards, TimeSpan, Topics in Algebra 1 Chapter 5, Topics in Algebra 1 Chapters 1-4, Transformation Graphing, and more. For students in math and sciences, the TI-84 Plus pink edition is a powerful, problem-solving tool with features for storing, graphing, and analyzing up to 10 functions. Plus, it displays graphs and evaluates tables on a split screen, allowing you to trace the graph and scroll through table values simultaneously.

Split screen lets you view a graph and its equation at the same time.
With the TI-84 Plus pink edition, you can view an equation, its graph, and the coordinates all at one time. Jump from point to point by entering a number. Several useful plot types are available, including scatter, box-and-whisker, XY-line, histogram, and normal probability plots. Advanced statistics and regression analysis, graphical analysis, and data analysis are readily accessed, along with features for calculus, engineering, financial, logarithm, trigonometry, and hyperbolic functions--all crucial tools for advanced analysis. With its clear display and fast processing, the calculator incorporates graphing tools for mathematics and science course work, including statistics and finance.

The optional kickstand slide case is great for desktop work.
The TI-84 Plus pink edition is powered by four AAA alkaline batteries (not included) and one silver oxide battery (included) for backup. An automatic shutoff feature is included to save energy. It is supported by a 1-year limited warranty.

Optional color faceplates add flare.
What's in the Box
TI-84 Plus pink edition, USB cable/TI connectivity cable, pink faceplate, silver oxide battery, TI Product CD-ROM with full reference guidebook and free software applications, and warranty information.









Availability: unknown


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Customer Reviews
Average Rating:  out of 5 stars

Rating: 4 out of 5 stars - * Fabulous Calculator ...
I love it! All the features I need, plus it's super cute. I even dropped it once and there was no sign of any damage, not even a scratch.



Rating: 4 out of 5 stars - * Looks cool! Works cool! ...
Does just what my high school student needs it to do.....and looks great at the same time! (That's important when you're 15!!)



Rating: 4 out of 5 stars - * TI-84 ...
It took a few days after ordering for the item to be put in the mail even after an e-mail expressing urgency. The calculator is also not pink. That is not a huge issue, but when expecting the advertised pink calculator the normal one was a dissapointment.

Thanks!



Rating: 5 out of 5 stars - * Good Calculator ...
Love the calculator. It does everything I need for Algebra and hopefully beyond. Love the color, it doesn't get lost in the crowd because no one else has it!



Rating: 5 out of 5 stars - * Love the PINK calculator ...
My daughter needed a graphing calculator and was THRILLED to get one in PINK! Some of the kids in school have had problems with theft of these type of calculators... my daughter is the ONLY one in her school with this model, so it would be very obvious if someone else started using it! :)


(Pink) Calculator Graphing Edition Silver Plus TI-84 Instruments Texas


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Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous The Curse of the Black Pearl, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley

On the DVD
Here's something you can't say about just any DVD extras: There appears to be more of Keith Richards in the outtakes, interviews, and other special features on the At World's End disc than in the actual film. For those scenes alone, this special edition is well worth the price. Richards looks as woozy and gamey as all the rumors suggested, and answers questions he's not asked, with Johnny Depp sitting next to him, almost acting as a translator. Richards offers pithy comments like, "Everything I do is original, you better believe," and smiles when other cast members call him "Two-Take Richards" for supposedly nailing his scenes.

The packed second disc also includes a terrific mini-doc on how the filmmakers created the famous maelstrom, in an enormous hanger in Palmdale, California, with the ships floating 30 feet off the ground. "Just moving the Black Pearl was an enormous undertaking," says producer Jerry Bruckheimer with serious understatement. Other cool extras include "Tale of the Many Jacks," deleted scenes with great commentary, "The World of Chow Yun-Fat," a bio of composer Hans Zimmer, features on the set designers, a look at the impressive Brethren Court, and some hilarious bloopers. "You can't curse in a Disney film," deadpans Depp when a costar blurts out something blue. "See? I told him." The extras are truly as much of a rollicking adventure as the film. --A.T. Hurley

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Our Pirates of the Caribbean Store

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Stills from Pirates of the Caribbean: At World’s End (click for larger image)





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Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous Dead Man's Chest, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley

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Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous Dead Man's Chest, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley


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Thanks to a fortuitous intersection of talent and fate, 22-year-old Josh Groban hasn't finished his senior year in performing arts school but has already released his sophomore effort on a major major label. Fans of the young vocal phenom's debut will find much to enthrall them here, even if it nudges the singer closer to the center of producer/mentor David Foster's MOR pop sensibilities. Eschewing much of its predecessor's more overt classic-lite pretensions and pop-rock covers for a slate of dramatic, Eurocentric ballads that serve as a showcase for the singer's inviting baritone, Groban shrewdly positions himself as the American alternative to the Bocelli-Watson crossover axis. "Caruso" may find the singer falling short of its operatic inspiration, but "Oceano" and "My Confession" quickly showcase his true dramatic range (which seems to all but yearn for a bona fide Broadway musical challenge), while a vocal take of Bacalov's graceful "Il Postino" theme uses classical virtuoso Joshua Bell's violin flourishes to good effect. To his credit, Groban displays some promising efforts at songwriting collaboration on the bittersweet "Per Te" and "Remember When It Rains," while the ambient/ethnic soundscape of Deep Forest's "Never Let Go" offers a teasing alternative to the record's otherwise melodramatic production formula. Groban has found commercial triumph via Foster's mentoring, but there remains a nagging sense here that he hasn't truly pushed himself as an artist--yet. --Jerry McCulley
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The world can't get enough of Madonna, and with CD/DVD sets like The Confessions Tour dropping regularly, it's little wonder why. As a thrower of fantasy dance parties, she is peerless. As a physical role model for the 40-ish women who grew up on her music, she rules. And as an arbiter of what's going to sound shockingly original in any given decade--well, duh. The Confessions Tour rounds up songs from way back--"Ray of Light" and "La Isla Bonita" make the DVD, and "Lucky Star" and "Like a Virgin" are on the CD as well as the DVD--but this concert, filmed in 2006 at London's Wembley Arena, aims its sturdiest spotlight on Confessions on a Dance Floor, Madge's 2005 disco disc. You could argue, then, that unless you're in it for the sheer DVD spectacle (and what a spectacle it is), there's no sense in owning this package. Only you wouldn't be right. Because as any on-the-ball Madonna fan knows, what she's doing musically is telling a story--you may already know the characters, but that doesn't mean she hasn't completely reworked the plot. To that end, "I Love New York" gets its rock on, "Let It Will Be" has a musical temper tantrum, and "Hung Up" goes for the drama queen award. You've heard these songs before, but you've never heard them quite like this, to borrow a bad informercial phrase. As twisted and hopped-up as they've become, they're all worth getting to know again. --Tammy La Gorce
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Apparently there's nothing in Kabbalah that disallows sweaty, head-spinningly good dance music, because here comes a flame-haired Madonna hawking a dozen songs' worth: Confessions on a Dance Floor darts seamlessly from Madge's early days, when she emerged as the genre's enduring darling, through the political, kiddie, and acoustic pap that drove a wedge between her and early adopters of the fingerless glove look. Songs like the pop-leaning "Jump" and first single "Hung Up"--an adrenaline drip on high that, like many of these tracks, will inspire mild shame among those who've thrilled to the much thinner disco-dusted outpourings of younger divas recently--represent both a return to form and an unmistakable march into the future. "Get Together" is a sonic freak-out in the best sense; "Push" traffics in gut-level futuristic trance; and "Forbidden Love" loops in '80s blips and bleeps for a follow-me-into-the-past effect that's both neo and retro. For all the image-affirming innovations here, though, these confessions find Madonna framed in her share of reflective moments too. "Was it all worth it/How did I earn it?" she asks on "How High," a song featuring vocoder. "Nobody's perfect/I guess I deserve it," comes the answer. A later lyrical inquiry is left for the listener to judge: "Does this get any better?" Madonna wants to know. But that opens the door to a dizzying proposition. Few of us would have guessed, after all, that it got this good. --Tammy La Gorce

Pink,B000COOBPY Calculator Graphing Edition Silver Plus 84 Ti Instruments Texas
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