Electronics : Samsung DVD-VR357 Tunerless DVD Recorder and VCR Combo

Electronics : Samsung DVD-VR357 Tunerless DVD Recorder and VCR Combo

Samsung DVD-VR357 Tunerless DVD Recorder and VCR Combo

from: Samsung



Samsung DVD-VR357 Tunerless DVD Recorder and VCR Combo
See Larger Image


Average Rating:  out of 5 stars
Sales Rank: 10696







Batteries Included: 1
Batteries: 2 AAA
Binding: Electronics
Brand: Samsung
Color: Black
EAN: 0036725607774
Label: Samsung
Legal Disclaimer: Warranty does not cover misuse of product.
Manufacturer: Samsung
Model: DVD-VR357
Publisher: Samsung
Sales Rank: 10696
Studio: Samsung
Variation Description: Black


Features:
  • Multi Format DVD/VHS Recorder
  • VHS HiFi Player
  • HDMI Upconversion
  • One Touch - 2 Way Dubbing
  • DivX Compatible







Editorial Review:

Item Description:
HDMI / Easy Record / Component Video / Composite

















Customer Reviews
Average Rating:  out of 5 stars

Rating: 5 out of 5 stars - * Works well with DishDVR ...
I purchased this item primarily to back-up my DishDVR which was quickly filling up. Having read about many problems other brand owners were experiencing while connected to a satellite box, I decided to give Samsung a try. So far, all of my (mostly live sporting events) programs have recorded without a hitch.
The remote control works well with both the DVR and my Phillips SDTV, althought the DVR control is of course limited. However it changes the volume and channels just fine. It does require you to set up the included IR blaster for the remote to work on certain devices (the DishDVR in my case.)
I am definitely glad I decided on the combo unit as it allowed me to get rid of a remote control and a component (my old VCR) from my home theater.
One less remote to deal with.
The owner's manual is well written in English and quite detailed. The unit has been relatively simple to learn how to use and set up.
I will however note that this particular setup is not HD and that this review does not take that into consideration.




Rating: 4 out of 5 stars - * Beats some higher end combos by far ...
Having had three combos in the last 5 years I decided to try a number of them at the same time and then return the worst of them - because as many would agree, what I actually want is just not available.

In comparison to Toshiba 650, LG 797, Sony 555 (these are the ones I have tried so far), this one is the cheapest, by a significant amount of money and better than all of the others in one way or another. The LG797 is best but it is so sensitive to copyright there are TV shows (Mad Men on AMC), even cartoons (Stuart Little), Sometimes even Lifetime Movies that it will not record from a DVR or straight from Satellite. Samsung is not sensitive.

Samsung has three drawbacks that are almost dealbreakers - except that the other combos are so much worse in so many areas- not enough connections and it is slower than the others in editing features. It records RAM but not Double Layer discs. I have never had a combo that records RAM or DL until now so I would like it to record both like the LG does.

If you research all of your components and maybe even get an adapter when needed, the hookups is no problem. The speed for deleting a portion of a dvd or dividing, is slower than the others. Since I do lots of dividing and deleting on my +RW's, this would normally be enough to send it back. But it beats the others in so many other areas, it's still close to the best.

I have been transferring 24 hours a day from VHS to DVD or DVR to DVD and it has only frozen once (the others have several times). It is not sensitive to copyright so I can tape a movie and watch it later. I only make dvd's for myself to watch and I pay for the tv stations so I should be able to watch them and Samsung gives me that opportunity at my convenience.

The video quality from VHS to DVD or DVR to DVD is ridiculously better than the Toshiba and the Sony (Both over $240 each). It records every format it claims to record (unlike Panasonic which has great difficulty with +R and +RW). I am a +RW fan - if you haven't tried it because you think it is no different than -RW - you are sorely mistaken. Not having to finalize and "make compatible" or unfinalize to add something saves time and the discs still play on all of my DVD players. Not to mention more editing ability and reusing the beginning of the disc while there are shows still on the end (I have not figured this out on the Samsung yet - my previous LiteOn's did this quite easily and from all the features with +RW Samsung allows, I think it will do this also). I have used 8 different brands of DVD's (and have tried +R/+RW/-R/-RW/RAM and every single one has recorded and played back without a problem. From high end discs down to office depot generics. This is rare. In +RW mode it has the lovely feature called "Divide" also available on Sony and LG (not Toshiba). If you are transferring or recording and you let it run long or fall asleep you can divide at the end of your show and delete the part you don't want. You can do this with all the commercials also if you wanted to take the time. You get to use variable recording speed so if you are recording in SP but the last show you are adding to the disc is a bit longer, you can record the last show in LP so it fits. When you press Record mode to set SP SLP etc, it shows on the screen how much time you would have left on the disc for recording if you used that speed. So you don't have to open up the title list or figure it out yourself. There is much more and as I continue to use the Samsung, if there is anything important, I will add to my review. This combo is not perfect - there are more things I would change if the DVD makers would let me creat my own machine with every feature I want but so far this is surprisingly better than the Sony or Toshiba and beats the LG if you tend to record show or movies to watch on DVD later. I need two combos and this is good enough that if I can't find something that has the LG797 positives and the Samsung's positives - I will actually buy another one. I am very picky with my media and especially because the combos out there generally do not do what they say they do and that's heartbreaking when you are spending anywhere from $170 - $400. My three others were Liteon's and JVC and all three broke in less than 3 years.

IF you have right hookups and this combo has the features you are looking for, I can certainly say, it is excellent compared to the others I have tried.



Rating: 4 out of 5 stars - * I need \"Instructions for Dummies\" ...
We're very happy with viewing DVDs or VHS tapes and I've copied DVD to VHS but still haven't figured out how to record off the TV. I'm sure it will be find when I have time to study the instructions more.



Rating: 4 out of 5 stars - * Too Early To Tell ...
So far the Recorder works as specified. It is easy to use and was no problem connecting and putting into service. How reliable the unit is has yet to be determined.



Rating: 4 out of 5 stars - * Easy to use, good build, does what it's supposed to ...
Researched a bunch; all I wanted to do was get some old family vcr tapes burned to dvd, which was easy as pie to do with this machine. I don't care that it doesn't have a built-in tuner (as it clearly says on the box) because I have cable anyway. The upconvert playback of the dvds is impressive. Onscreen menus are easy and complete and intuitive. Looks nice and has plenty of inputs and outputs for my needs; hdmi, component and rca (composite) s-video; whatevery you need. Optical and digital audio too. Plenty. But about the remote; I hate it. It feels little, and flimsy to me. Could just be my preference; I'm used to big heavy clunky remotes with big lit buttons, etc. And, you have to be close and have a good aim when using the remote. My entertainment center has glass shelves and I suspect the signal bounces crazy off the glass which could explain the touchiness of getting the remote to work easily, maybe. Anyway, for less than $200 you can't beat it. It upconverts people. Nuf said.



Browse for similar items by category:
 < Previous 
 Next > 
page 17 of  19
 1  2  3  4  5  6  7  8  9  10  11  12  13  14  15  16  17  18  19 
 





Security Cameras |





Electronics









$22.99



Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous The Curse of the Black Pearl, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley

On the DVD
Here's something you can't say about just any DVD extras: There appears to be more of Keith Richards in the outtakes, interviews, and other special features on the At World's End disc than in the actual film. For those scenes alone, this special edition is well worth the price. Richards looks as woozy and gamey as all the rumors suggested, and answers questions he's not asked, with Johnny Depp sitting next to him, almost acting as a translator. Richards offers pithy comments like, "Everything I do is original, you better believe," and smiles when other cast members call him "Two-Take Richards" for supposedly nailing his scenes.

The packed second disc also includes a terrific mini-doc on how the filmmakers created the famous maelstrom, in an enormous hanger in Palmdale, California, with the ships floating 30 feet off the ground. "Just moving the Black Pearl was an enormous undertaking," says producer Jerry Bruckheimer with serious understatement. Other cool extras include "Tale of the Many Jacks," deleted scenes with great commentary, "The World of Chow Yun-Fat," a bio of composer Hans Zimmer, features on the set designers, a look at the impressive Brethren Court, and some hilarious bloopers. "You can't curse in a Disney film," deadpans Depp when a costar blurts out something blue. "See? I told him." The extras are truly as much of a rollicking adventure as the film. --A.T. Hurley

Beyond Pirates of the Caribbean: At World’s End


Our Pirates of the Caribbean Store

Pirates of the Caribbean: Curse of the Black Pearl

Pirates of the Caribbean: Dead Man’s Chest

Pirates of the Caribbean: At World’s End Soundtrack

Why We Love… Bill Nighy

Johnny Depp Essential DVDs
Stills from Pirates of the Caribbean: At World’s End (click for larger image)





$14.99



Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous Dead Man's Chest, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley

$19.99



Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous Dead Man's Chest, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley


by Rick Barba
$11.55

Average customer rating: 3.0 ISBN: 0744004292

by BradyGames
$13.59

Average customer rating: ISBN: 0744009332
$9.99



Thanks to a fortuitous intersection of talent and fate, 22-year-old Josh Groban hasn't finished his senior year in performing arts school but has already released his sophomore effort on a major major label. Fans of the young vocal phenom's debut will find much to enthrall them here, even if it nudges the singer closer to the center of producer/mentor David Foster's MOR pop sensibilities. Eschewing much of its predecessor's more overt classic-lite pretensions and pop-rock covers for a slate of dramatic, Eurocentric ballads that serve as a showcase for the singer's inviting baritone, Groban shrewdly positions himself as the American alternative to the Bocelli-Watson crossover axis. "Caruso" may find the singer falling short of its operatic inspiration, but "Oceano" and "My Confession" quickly showcase his true dramatic range (which seems to all but yearn for a bona fide Broadway musical challenge), while a vocal take of Bacalov's graceful "Il Postino" theme uses classical virtuoso Joshua Bell's violin flourishes to good effect. To his credit, Groban displays some promising efforts at songwriting collaboration on the bittersweet "Per Te" and "Remember When It Rains," while the ambient/ethnic soundscape of Deep Forest's "Never Let Go" offers a teasing alternative to the record's otherwise melodramatic production formula. Groban has found commercial triumph via Foster's mentoring, but there remains a nagging sense here that he hasn't truly pushed himself as an artist--yet. --Jerry McCulley
$23.99



The world can't get enough of Madonna, and with CD/DVD sets like The Confessions Tour dropping regularly, it's little wonder why. As a thrower of fantasy dance parties, she is peerless. As a physical role model for the 40-ish women who grew up on her music, she rules. And as an arbiter of what's going to sound shockingly original in any given decade--well, duh. The Confessions Tour rounds up songs from way back--"Ray of Light" and "La Isla Bonita" make the DVD, and "Lucky Star" and "Like a Virgin" are on the CD as well as the DVD--but this concert, filmed in 2006 at London's Wembley Arena, aims its sturdiest spotlight on Confessions on a Dance Floor, Madge's 2005 disco disc. You could argue, then, that unless you're in it for the sheer DVD spectacle (and what a spectacle it is), there's no sense in owning this package. Only you wouldn't be right. Because as any on-the-ball Madonna fan knows, what she's doing musically is telling a story--you may already know the characters, but that doesn't mean she hasn't completely reworked the plot. To that end, "I Love New York" gets its rock on, "Let It Will Be" has a musical temper tantrum, and "Hung Up" goes for the drama queen award. You've heard these songs before, but you've never heard them quite like this, to borrow a bad informercial phrase. As twisted and hopped-up as they've become, they're all worth getting to know again. --Tammy La Gorce
$10.97



Apparently there's nothing in Kabbalah that disallows sweaty, head-spinningly good dance music, because here comes a flame-haired Madonna hawking a dozen songs' worth: Confessions on a Dance Floor darts seamlessly from Madge's early days, when she emerged as the genre's enduring darling, through the political, kiddie, and acoustic pap that drove a wedge between her and early adopters of the fingerless glove look. Songs like the pop-leaning "Jump" and first single "Hung Up"--an adrenaline drip on high that, like many of these tracks, will inspire mild shame among those who've thrilled to the much thinner disco-dusted outpourings of younger divas recently--represent both a return to form and an unmistakable march into the future. "Get Together" is a sonic freak-out in the best sense; "Push" traffics in gut-level futuristic trance; and "Forbidden Love" loops in '80s blips and bleeps for a follow-me-into-the-past effect that's both neo and retro. For all the image-affirming innovations here, though, these confessions find Madonna framed in her share of reflective moments too. "Was it all worth it/How did I earn it?" she asks on "How High," a song featuring vocoder. "Nobody's perfect/I guess I deserve it," comes the answer. A later lyrical inquiry is left for the listener to judge: "Does this get any better?" Madonna wants to know. But that opens the door to a dizzying proposition. Few of us would have guessed, after all, that it got this good. --Tammy La Gorce

Combo,B000N7X9AI Vcr And Recorder Dvd Tunerless Vr357 Dvd Samsung
Shopping at electronics.bestglobalgifts.com  Created at Tue Dec 2 01:20:37 2008