Electronics : Epson PowerLite 77c 2200 Lumen Multimedia Projector

Electronics : Epson PowerLite 77c 2200 Lumen Multimedia Projector

Epson PowerLite 77c 2200 Lumen Multimedia Projector

from: Epson



Epson PowerLite 77c 2200 Lumen Multimedia Projector
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Average Rating:  out of 5 stars
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Binding: Electronics
Brand: Epson
Color: Black
EAN: 0010343864078
Label: Epson
Manufacturer: Epson
Model: 77C
Publisher: Epson
Studio: Epson
Variation Description: Black
Warranty: 2 years warranty



Features:
  • Multimedia Projector w/3LCD Technology
  • 2200 Lumens and a 400:1 Contrast Ratio
  • HDTV Compatible and Instant On and Off
  • Lightweight, Travel Friendly Design/ Just 6.0 Lbs
  • 13 Lbs (WxLxH) 7.5" x 16.9" x 14.9"







Editorial Review:

Item Description:
The Epson PowerLite 77c delivers presentations that are sure to impress with 2200 lumens, XGA resolution and high-aperture Epson 3LCD technology - all from a 6 lb projector built to go wherever business takes you. The smart choice for any office, it even includes an energy-efficient E-TORL lamp that lasts up to 4000 hours. Get right to it with Instant On (5-second startup) and auto keystone adjustments. Then, take control of your presentation with the convenient A/V Mute Slide. Just slide it over to instantly shut off images and sound. That way, your audience can focus on you. After you've completed your presentation, shut down quickly using the Instant Off® function, and head off to that next important meeting. Brightness Uniformity - 90% (typical) Color Reproduction - 16.7 million colors Sound Output - 1W monaural Operating Distance - 19.7 ft (6 m) Operating Angles - +-30 degrees right/left; +- 15 degrees upper/lower Display Performance - 560 lines, NTSC & PAL Lamp Type - E-TORL 170 W UHE Lamp Life - 3000 hours (High Brightness Mode); 4000 hours (Low Brightness Mode) Screen Size (Projected Distance) - 30 - 300 (2.7' - 34.2' m) (optional) Keystone Correction - 0-11 degrees vertical (Automatic); +-30 degrees vertical (Manual) Input Signal - 480i, 480p for NTSC/NTSC4.43/PAL/M-PAL/N-PAL/PAL60/SECAM; 720p, 1080i for HDTV Connections - Mini D-sub 15 pin (Computer/Component), Mini DIN (S-video), RCA (Composite), RCA x 2 (Composite Audio), Monitor out USB Type B interface for mouse and keyboard control Fan Noise - 35 dB (High Brightness Mode), 28 dB (Low Brightness Mode) Remote Control Security Features - Kensington-style lock provision, anchor (metal) bar Front/rear/ceiling mount Included Accessories - Power & computer cables, projector remote control, batteries, soft carrying case, CD-ROM, Quick Setup Sheet, PrivateLine support card, password protection sticker Di



Accessories:
Mobile Edge MEAP01 Wireless Slim-line Presentation Remote Replacement Lamp for PowerLite 77c and S5 Projectors Epson V11H010L41 Replacement Projector Lamp for Powerlite S5 and 77C Mobile Edge MEAP02 Slim-Line Wireless Presenter PLUS Mobile Edge MEALK1 Securicable Key Lock see more

Accessories:




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Customer Reviews
Average Rating:  out of 5 stars

Rating: 4 out of 5 stars - * Excellent Projector ...
I was asked to buy a new projector to use in a classroom setting. We had been using an earlier model of the Epson (sorry, I can't recall the name or number of the model), and we were pleased with the picture and its reliability. After reading the reviews on Amazon, I decided to purchase this model. The classroom receives partial daylight through the windows, so we felt it was important to have a projector that delivered a sharp, crisp image. We are very pleased with the picture, which is superior to that of the older model of the Epson. I would recommend it to anyone looking for a low cost projector to use in a classroom setting.



Rating: 5 out of 5 stars - * Good Investment ...
Good picture quality even in high light areas, quick start-up and I love the quick shut down option

The replacement bulbs are also reasonably priced. Good device for the money, a little more bulky than some but I'll take it to get the extra lumens.



Rating: 5 out of 5 stars - * Solid performer. ...
This is an excellent medium priced projector that provides a very bright image, visible in rooms that cannot be darkened totally. The colors on the screen compare favorably with what I see on my Apple laptop, a number of other projectors I tried failed this important requirement. The unit is lightweight and compact, it travels well. My only concern is the high temperature, it is important not to block any of the ventilation vents The projector displays a warning message if overheating. So far I am very pleased with my choice.



Rating: 5 out of 5 stars - * Great machine for the money! ...
While this is not the most expensive video projector on the market - it is more than adequate to meet the needs of most small businesses. It is not the smallest or lightest - but the price... you cannot fault it. Easy use of controls on the machine - the remote is a bit oversized with small buttons - but that works for us - as we have lost several remotes in the past that were postage stamp size because different people use them. The cost of the replacement bulb at under $200 is a big plus - my advice is to buy a spare and keep in stock. Colors are great and it is bright enough for room lit showing of presentations. Excellent buy for the money.



Rating: 5 out of 5 stars - * Digital Projector for my Photo Classes ...
After reading a variety of reviews, including those on Amazon, I bought this to show my Beginning Digital Photo classes how to work with digital images in PhotoShop and PhotoShop Elements.

Setup was a matter of hooking up the cables and turning on my laptop. The projection is plenty bright for computer screen reading, even in a moderately bright room. For photo editing, no surprise, the room needs to be pretty dark. ( I can't imagine any projector being so bright that photos would be really good in a light room! ) I'm projecting an 8 foot width, which works fine for my class size. All icons and text are plenty legible.

The class, ranging from young to retired, are all very impressed with the image quality (and my photos ([...] ), of course!).

We've also watched a couple DVD's with it at home, which worked very well. My son had to try some games, so he hooked up his Xbox, and spent a couple hours playing his favorites on a 12 foot wall. This also worked very well, he wasn't altogether pleased when I took it back.

I also recommended this model to our local library, for use in one of the community meeting rooms.

I can't imagine a nicer projector for the money.




Projector Multimedia Lumen 2200 77c PowerLite Epson


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Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous The Curse of the Black Pearl, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley

On the DVD
Here's something you can't say about just any DVD extras: There appears to be more of Keith Richards in the outtakes, interviews, and other special features on the At World's End disc than in the actual film. For those scenes alone, this special edition is well worth the price. Richards looks as woozy and gamey as all the rumors suggested, and answers questions he's not asked, with Johnny Depp sitting next to him, almost acting as a translator. Richards offers pithy comments like, "Everything I do is original, you better believe," and smiles when other cast members call him "Two-Take Richards" for supposedly nailing his scenes.

The packed second disc also includes a terrific mini-doc on how the filmmakers created the famous maelstrom, in an enormous hanger in Palmdale, California, with the ships floating 30 feet off the ground. "Just moving the Black Pearl was an enormous undertaking," says producer Jerry Bruckheimer with serious understatement. Other cool extras include "Tale of the Many Jacks," deleted scenes with great commentary, "The World of Chow Yun-Fat," a bio of composer Hans Zimmer, features on the set designers, a look at the impressive Brethren Court, and some hilarious bloopers. "You can't curse in a Disney film," deadpans Depp when a costar blurts out something blue. "See? I told him." The extras are truly as much of a rollicking adventure as the film. --A.T. Hurley

Beyond Pirates of the Caribbean: At World’s End


Our Pirates of the Caribbean Store

Pirates of the Caribbean: Curse of the Black Pearl

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Pirates of the Caribbean: At World’s End Soundtrack

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Stills from Pirates of the Caribbean: At World’s End (click for larger image)





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Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous Dead Man's Chest, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley

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Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous Dead Man's Chest, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley


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Thanks to a fortuitous intersection of talent and fate, 22-year-old Josh Groban hasn't finished his senior year in performing arts school but has already released his sophomore effort on a major major label. Fans of the young vocal phenom's debut will find much to enthrall them here, even if it nudges the singer closer to the center of producer/mentor David Foster's MOR pop sensibilities. Eschewing much of its predecessor's more overt classic-lite pretensions and pop-rock covers for a slate of dramatic, Eurocentric ballads that serve as a showcase for the singer's inviting baritone, Groban shrewdly positions himself as the American alternative to the Bocelli-Watson crossover axis. "Caruso" may find the singer falling short of its operatic inspiration, but "Oceano" and "My Confession" quickly showcase his true dramatic range (which seems to all but yearn for a bona fide Broadway musical challenge), while a vocal take of Bacalov's graceful "Il Postino" theme uses classical virtuoso Joshua Bell's violin flourishes to good effect. To his credit, Groban displays some promising efforts at songwriting collaboration on the bittersweet "Per Te" and "Remember When It Rains," while the ambient/ethnic soundscape of Deep Forest's "Never Let Go" offers a teasing alternative to the record's otherwise melodramatic production formula. Groban has found commercial triumph via Foster's mentoring, but there remains a nagging sense here that he hasn't truly pushed himself as an artist--yet. --Jerry McCulley
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The world can't get enough of Madonna, and with CD/DVD sets like The Confessions Tour dropping regularly, it's little wonder why. As a thrower of fantasy dance parties, she is peerless. As a physical role model for the 40-ish women who grew up on her music, she rules. And as an arbiter of what's going to sound shockingly original in any given decade--well, duh. The Confessions Tour rounds up songs from way back--"Ray of Light" and "La Isla Bonita" make the DVD, and "Lucky Star" and "Like a Virgin" are on the CD as well as the DVD--but this concert, filmed in 2006 at London's Wembley Arena, aims its sturdiest spotlight on Confessions on a Dance Floor, Madge's 2005 disco disc. You could argue, then, that unless you're in it for the sheer DVD spectacle (and what a spectacle it is), there's no sense in owning this package. Only you wouldn't be right. Because as any on-the-ball Madonna fan knows, what she's doing musically is telling a story--you may already know the characters, but that doesn't mean she hasn't completely reworked the plot. To that end, "I Love New York" gets its rock on, "Let It Will Be" has a musical temper tantrum, and "Hung Up" goes for the drama queen award. You've heard these songs before, but you've never heard them quite like this, to borrow a bad informercial phrase. As twisted and hopped-up as they've become, they're all worth getting to know again. --Tammy La Gorce
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Apparently there's nothing in Kabbalah that disallows sweaty, head-spinningly good dance music, because here comes a flame-haired Madonna hawking a dozen songs' worth: Confessions on a Dance Floor darts seamlessly from Madge's early days, when she emerged as the genre's enduring darling, through the political, kiddie, and acoustic pap that drove a wedge between her and early adopters of the fingerless glove look. Songs like the pop-leaning "Jump" and first single "Hung Up"--an adrenaline drip on high that, like many of these tracks, will inspire mild shame among those who've thrilled to the much thinner disco-dusted outpourings of younger divas recently--represent both a return to form and an unmistakable march into the future. "Get Together" is a sonic freak-out in the best sense; "Push" traffics in gut-level futuristic trance; and "Forbidden Love" loops in '80s blips and bleeps for a follow-me-into-the-past effect that's both neo and retro. For all the image-affirming innovations here, though, these confessions find Madonna framed in her share of reflective moments too. "Was it all worth it/How did I earn it?" she asks on "How High," a song featuring vocoder. "Nobody's perfect/I guess I deserve it," comes the answer. A later lyrical inquiry is left for the listener to judge: "Does this get any better?" Madonna wants to know. But that opens the door to a dizzying proposition. Few of us would have guessed, after all, that it got this good. --Tammy La Gorce

Projector,B000Q5X85I Multimedia Lumen 2200 77c Powerlite Epson
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