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Aurora AS810SD 8-Sheet Strip Cut Paper/CD/Credit Card Shredder with Basket
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Aurora AS810SD 8-Sheet Strip Cut Paper/CD/Credit Card Shredder with Basket

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from: Aurora


: :The Aurora AS810SD 8-Sheet Strip Cut Paper/CD/Credit Card Shredder with Basket is the perfect home device to help keep you safe from identity theft. The AS810SD accepts up to eight sheets of paper at a time and shreds them into 1/4-inch strips. Paper is shredded at a speedy 9.7 feet per minute. A three-mode safety switch keeps your fingers from getting caught. To get the shredding started, simply feed paper through and the shredder auto starts. In addition to paper, the AS810SD shreds CDs and credit cards, keeping vital information from falling into ...

Aurora AS890C 8 Sheet Crosscut Paper/Credit Card Shredder with Basket
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Aurora AS890C 8 Sheet Crosscut Paper/Credit Card Shredder with Basket

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from: Aurora


: :The Aurora AS810SD 8-Sheet Strip Cut Paper/CD/Credit Card Shredder with Basket is the perfect home device to help keep you safe from identity theft. The AS810SD accepts up to eight sheets of paper at a time and shreds them into 1/4-inch strips. Paper is shredded at a speedy 9.7 feet per minute. A three-mode safety switch keeps your fingers from getting caught. To get the shredding started, simply feed paper through and the shredder auto starts. In addition to paper, the AS810SD shreds CDs and credit cards, keeping vital information from falling into ...

Aurora AS420C  Desktop Style Crosscut Paper Shredder with Basket
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Aurora AS420C Desktop Style Crosscut Paper Shredder with Basket

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from: Aurora


: :Aurora's AS420C Professional Crosscut Paper Shredder makes certain your personal information is never seen by criminals. To protect against identity theft, you should shred your bank & credit card statements into narrow strips of paper that are virtually indecipherable. You can also shred expired credit cards for added security. It's a simple task that ensures your identity is never stolen. Basket holds up to 40 sheets (1.1 gallons total) Shreds credit cards, paper clips & staples Manual reverse to clear paper jams Duty Cycle - 2 min. On, 15 min. Off Power - 140W ...

Aurora AS1018CD 10 Sheet Crosscut Paper/Credit Card/CD Shredder with Basket
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Aurora AS1018CD 10 Sheet Crosscut Paper/Credit Card/CD Shredder with Basket

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from: Aurora


: :The Aurora AS1018CD Dual-Shred Crosscut Shredder lets you keep your personal information out of criminal hands. Keep your desk clean and organized, while makingsure confidential information is never read. Shreds credits cards 9 sheet paper entry slot Shreds up to 10 sheets in one pass Safety interlock Includes 5.3 gallon bin Color - Black Dimensions(HxWxL) - 16.1 x 9.5 x 14 Weight - 14.5 lbs.

Aurora AS618SB 6 Sheet Strip Cut Paper Shredder with Basket
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Aurora AS618SB 6 Sheet Strip Cut Paper Shredder with Basket

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from: Aurora


: :The Aurora AS1018CD Dual-Shred Crosscut Shredder lets you keep your personal information out of criminal hands. Keep your desk clean and organized, while makingsure confidential information is never read. Shreds credits cards 9 sheet paper entry slot Shreds up to 10 sheets in one pass Safety interlock Includes 5.3 gallon bin Color - Black Dimensions(HxWxL) - 16.1 x 9.5 x 14 Weight - 14.5 lbs.

Aurora 6-Sheet Crosscut/Credit Card Shredder with Metal Mesh Basket
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Aurora 6-Sheet Crosscut/Credit Card Shredder with Metal Mesh Basket

(more) »rank: 2851

from: Aurora Corp


: :The Aurora AS1018CD Dual-Shred Crosscut Shredder lets you keep your personal information out of criminal hands. Keep your desk clean and organized, while makingsure confidential information is never read. Shreds credits cards 9 sheet paper entry slot Shreds up to 10 sheets in one pass Safety interlock Includes 5.3 gallon bin Color - Black Dimensions(HxWxL) - 16.1 x 9.5 x 14 Weight - 14.5 lbs.

Aurora C1210 12-Sheet Professional Crosscut Paper Shredder (Black)
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Aurora C1210 12-Sheet Professional Crosscut Paper Shredder (Black)

(more) »rank: 2851

from: Aurora


: :The Aurora C1210 12-Sheet Professional Crosscut Paper Shredder is easy to use, simple to store, and powerful enough for tough jobs, such as shredding CDs or credit cards. This shredder utilizes a medium-duty crosscut cutting type to ensure that your private data is completely destroyed. And with a 12-sheet shred capacity that shreds at a speed of 7.2-feet per minute, your private information will be destroyed quickly and efficiently. .caption { font-family: Verdana, Helvetica neue, Arial, serif; font-size: 10px; font-weight: bold; font-style: italic; } ul.indent { list-style: inside disc; text-indent: 20px; } table.callout ...

Aurora DT210M Dual Power Angled Display 8 Digit Desktop Calculator
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Aurora DT210M Dual Power Angled Display 8 Digit Desktop Calculator

(more) »rank: 2851

from: Aurora


: :Space-saving compact design. Solar/battery dual-powered for use in any lighting. Auto power off. Calculator Type: Basic; Calculator Style: N\A; Power Source(s): Battery; Solar; Display Notation: Numeric.

Aurora AS1225CD 12 Sheet Crosscut Paper/Credit Card/CD Shredder with Pullout Basket with Casters
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Aurora AS1225CD 12 Sheet Crosscut Paper/Credit Card/CD Shredder with Pullout Basket with Casters

(more) »rank: 2851

from: Aurora


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Aurora DT85V Dual Power  Jumbo Angled Display 12 Digit Desktop Calculator
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Aurora DT85V Dual Power Jumbo Angled Display 12 Digit Desktop Calculator

(more) »rank: 2851

from: Aurora


: :Jumbo 12-digit long answer bar desktop calculator. Dual powered, angled display, square root, change sign +/- keys, two sets of memories. Dimensions: 5-1/2'W x7-8/9'D x1-8/9'H. Manufacturer's one-year warranty.


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Office Furniture Shopper









$18.99



Set in Saudi Arabia, The Kingdom is a political action thriller with good acting and wonderful visuals. Its so-so script, though, at times meanders aimlessly until a good explosion jolts the viewer's attention back to the screen. Jamie Foxx stars as FBI special agent Ronald Fleury, who leads an elite team into Saudi Arabia to find the terrorists who attacked American employees working in the Middle East. He has been given the unlikely deadline of five days to infiltrate the compound, with just his wit and his crew, which includes forensics expert Janet Mayes (Jennifer Garner), explosives guru Grant Sykes (Chris Cooper), and intelligence analyst Adam Leavitt (Jason Bateman). It's unclear how helpful smarmy U.S. diplomat Damon Schmidt (Jeremy Piven) will be, but Fleury knows enough to surmise that the media-hungry Schmidt might not be completely trustworthy. Foxx and Garner have wonderful screen presence, but it's Bateman and Piven who get the best lines. Director Peter Berg peppers The Kingdom with actors he has worked with in the past. Berg, who guest-starred on Alias opposite Garner, casts Tim McGraw in a small role here. (The country singer also had a co-starring role in Berg's 2004 film Friday Night Lights.) And Kyle Chandler and Minka Kelly--two of Berg's lead actors from the Friday Night Lights television series, , make appearances in The Kingdom. The action sequences he creates are impressive and generate a sense of panic that The Kingdom producer Michael Mann (Miami Vice) undoubtedly applauds. While a tauter script would've rounded out the action nicely, the action in many cases does speak for itself. --Jae-Ha Kim
$19.99



A staggering portrait of arrogance and incompetence, the documentary No End in Sight avoids the question of why the U.S. invaded Iraq in 2003, choosing instead to focus on the war's aftermath--and meticulously examine the chain of decisions that led Iraq into a grotesque state of lawlessness and civil war. Drawing from interviews with top generals, administration officials, journalists, and soldiers who were in the thick of the war itself, No End in Sight lays out a gripping story, as suspenseful as any Hollywood movie, accompanied by terrifying footage of firefights and explosions more vivid than any special effects. Unfortunately, there is no happy ending. If the documentary has a weakness, it's the shortage of voices trying to defend the administration policies (perhaps unsurprisingly, policymakers like Dick Cheney, Donald Rumsfeld, and Paul Wolfowitz declined to be interviewed). But the testimony (presented by administration insiders and officials in Iraq, both military and civilian) argues that, despite contrary analysis and experienced advice against its actions, the top brass of the Bush administration made decisions (that aggravated already existing problems and created devastating new ones. No End in Sight builds its case one voice at a time and avoids the grandstanding that undercuts Michael Moore's work; instead, the gradual accumulation of simple facts--presented with weary resignation, earnest outrage, and restrained anger--results in a compelling condemnation of one of the worst blunders the U.S. has ever made. --Bret Fetzer
$14.99



Fans of Oliver Stone's J.F.K. will recognize the opening moments of writer-director Eugene Jarecki's Why We Fight, in which outgoing President Dwight Eisenhower warns of the pernicious and growing influence of what he called the "military-industrial complex." But Stone's movie, which uses the same footage, was a work of fiction. While those who disagree with the decidedly leftist point of view in this documentary will probably consider it the product of paranoid liberal fantasy as well, there's enough credible material, much of it supplied by the targets of Jarecki's criticisms, to make Eisenhower look like a prophet and everyone else uneasy about the dark confluence of politics, money, and war that controls the country's fortunes. The message here is that while there may be some who sincerely believe that America's various military engagements (in Iraq, Vietnam, Grenada, Panama, and elsewhere) since World War II are the product of our God-given duty to spread freedom and halt the influence of evil ideologies around the world, the real reason we fight is that war is good business. This is hardly a bulletin; anyone who is surprised by allegations that politicians pander to defense contractors, or that Vice President Dick Cheney helped secure huge deals for Halliburton, the company he formerly headed, simply hasn't been paying attention (Politicians lie? How shocking!). In fact, the principal drawback to Jarecki's film is simply that there's nothing particularly revelatory or compelling about it. Only when he takes a personal approach does he go beyond the obvious; the story of a retired New York policeman and former Vietnam veteran whose son died in the World Trade Center, who wanted revenge, but who became seriously disillusioned when Bush admitted that the war in Iraq had nothing to do with 9/11, adds some much needed human interest. Still, Why We Fight, which includes a director's audio commentary track and a few other bonus features, serves as a grim reminder that the world's most powerful nation has strayed far from the principles of our founding fathers, a development that does not bode well for America's future. --Sam Graham

by Dixie Chicks
$21.95

Average customer rating: ISBN: 0739043439

by Dixie Chicks, Mark Seliger
$16.95

Average customer rating: ISBN: 0739043447
$4.95



In her snowy home state of Utah, Marie Osmond serves up a warm cup of holiday cheer with Marie Osmond's Merry Christmas, her very first Christmas special. Mixing traditional songs and carols with modern melodies, Marie presents a sentimental hourlong program (originally aired on television in 1989), blending music with short sketches. The show features Kirk Cameron, then-teen heartthrob on Growing Pains; Candace Cameron, his sister and star of Full House; country singer Lee Greenwood; Sally Struthers and daughter Samantha, ice dancers Judy Blumberg and Michael Siebert, and the Osmond Boys.

Marie opens the show with an outdoor rendition of "We Need a Little Christmas" and then moves into the studio where Kirk Cameron arrives on a snowmobile (fresh from rescuing a trio of blonde snow bunnies) to read "The First Christmas Story." Lee Greenwood performs "Christmas to Christmas" and later a duet with Marie. "It's Beginning to Look a Lot Like Christmas" is sung by Sally Struthers and daughter with help from the Osmond Boys--six stepping stones ages 4 to 12 who have the senior Osmonds' moves down pat. The adorable award, though, goes to Marie's 5-year-old son, Steven, who performs a rockin' version of "Santa Claus Is Comin' to Town" (clapping on the off-beat nearly the whole song).

Marie has a good, strong voice, but many of the songs are overproduced and melodramatic. This, most likely, is a product of the big, pouffy '80s (her hair and outfits are also bigger-than-life) rather than a reflection of her talents. The closing number, "O Holy Night," sung by Marie alone, is quite lovely. --Dana Van Nest

$11.98




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